Whimsical Musings of a Loon

I remember the day I became interested in Photography. I had always been engrossed by art and film, always finding them rather magical in a way that almost seemed sordid. As if receiving such pleasure from a film screen or canvas was somehow naughty in its frivolity. But it was not until I was visiting MOMA in New York during my year out before University, that a fascination in photography ignited instantly. There was a Cindy Sherman exhibition, her untitled film stills, and it captured my imagination so strongly, that I left New York that snowy January in 2001, dreamily determined to purchase an SLR manual 35mm film camera as soon as I got home. It was like someone had switched on a light in my brain, or rather, pressed a shutter release and captured the split second my life had been opened up to a whole new world of expression. Only this image of myself did not upset me at how fat my brain had gotten around the intrigue zone. Despite Cindy being one of my early main influences, I bec...

Thinking back at when I studied photography, *cue Hovis ad music* and yes I can remember that far back, there are always one or two images from prolific photographers that particularly re-appear in my mind's playback facility. Whether I liked the photographs or not, their power or impact obviously tattooed themselves into my subconscious. One such image was Diane Arbus' photograph: Child with Toy Hand Grenade. It's bizarreness intrigued and fascinated me, I wanted to comb every inch of the print with my eyes. But it also made me want to stride down the lecture room, pull the slide out of the machine and throw it out the window into the path on oncoming escaped wildebeests. A photograph that draws such a conflicted set of emotions certainly put a firework up my artistic undercrackers. The scrawny boy is pulling a gruesome face, he looks utterly strange; he's stood in an American park, his stance is odd and uncomfortable, his clothes ruffled. He's holding a toy grenad...