Whimsical Musings of a Loon

There are a few places in the world that just by name, conjure evocative reactions. Often these are areas where, unfortunately, tragedy has struck - places where events unravelled that have sent tremor waves of shock felt across the globe. One such location has been a fascination of mine for a long time. And that place is Chernobyl. Photographing decaying and derelict buildings has long been an obsession of mine, something I've written and blathered on about many times. I yearn for it. I crave the ability to traipse through stale, dank crooked structures; rotten walls, peeling paint. Their ghostly existence crying out to be photographed - the documentation of manmade decline as nature engulfs it. Photography lends itself so well to capture these haunting scenes, the emptiness, the decay - which never stops, never pauses - only within the four walls of the photograph. Visiting Chernobyl had become a dream of mine. I had dreamed of seeing Pripyat, the city near the Chernoby...

I remember the day I became interested in Photography. I had always been engrossed by art and film, always finding them rather magical in a way that almost seemed sordid. As if receiving such pleasure from a film screen or canvas was somehow naughty in its frivolity. But it was not until I was visiting MOMA in New York during my year out before University, that a fascination in photography ignited instantly. There was a Cindy Sherman exhibition, her untitled film stills, and it captured my imagination so strongly, that I left New York that snowy January in 2001, dreamily determined to purchase an SLR manual 35mm film camera as soon as I got home. It was like someone had switched on a light in my brain, or rather, pressed a shutter release and captured the split second my life had been opened up to a whole new world of expression. Only this image of myself did not upset me at how fat my brain had gotten around the intrigue zone. Despite Cindy being one of my early main influences, I bec...